Habib Placencia Adissi
Habib is a Mexican-American designer based in San Francisco with a focus on typography and identity systems.
Motivated by ideas, process, and language, he is currently a Senior Brand Designer at Brilliant.org, and a recent type-design graduate at Type West.
Email
Instagram
Are.na
Motivated by ideas, process, and language, he is currently a Senior Brand Designer at Brilliant.org, and a recent type-design graduate at Type West.
Are.na
Monasterio
Type Design
2022
Monasterio is a display type family interested in texture. Inspired by the sculptural works of Luiz Ortiz Monasterio and informed by Edward Catich’s Origin of the Serif, Monasterio currently consists of four styles intended for two ends of a typographer’s scale. Encompassing a roman and italic display pair, and an optical pairing of micro and micro bold, Monasterio hopes to cover a wide spectrum of uses from the monumental to the intimate. This typeface was created as a final project for the Letterform Archive’s Type West program.
Professors: Graham Bradley, James Edmondson. Program: Robofont and Glyphs. Special thanks: Graham Bradley, Lynne Yun, Kel Troughton, and the entire Letterform Archive Staff and Type West student body.
Professors: Graham Bradley, James Edmondson. Program: Robofont and Glyphs. Special thanks: Graham Bradley, Lynne Yun, Kel Troughton, and the entire Letterform Archive Staff and Type West student body.
Genoa
Type Design
2022
Genoa is a digital revival of a roman type indicative of the French Renaissance, printed by Christophe Plantin during the 16th century. This revival was an excercise in form and an excursion into an interpretation of historic forms for a contemporary context. Created during the first term of the Letterform Archive’s Type West program.
Professors: Graham Bradley, Kel Troughton. Program: Robofont and Glyphs. Book reference: Letterform Archive
Professors: Graham Bradley, Kel Troughton. Program: Robofont and Glyphs. Book reference: Letterform Archive
Post-Contact 061
Lettering
2020
Post-Contact is a public site for open, artistic commentary in response to multiple, simultaneous health crises. It was an attempt at providing a safer, alternative form of meaningful human-to-human connection through a public site for open, artistic commentary in response. This includes my submission to the ongoing project.
Post-Contact 061, 30"W×40"H, installed on 31 July 2020 in Providence, Rhode Island. Special Thanks: Jack Halten Fahnestock.
Post-Contact 061, 30"W×40"H, installed on 31 July 2020 in Providence, Rhode Island. Special Thanks: Jack Halten Fahnestock.
CINEOLA
Brand Identity
2020
CINEOLA is a platform for Latin American stories, connecting audiences with diverse representations of Latinoamérica on film. Launched virtually, proceeds from the festival benefited local San Francisco venues, as well as Carecen SF, a non-profit supporting Latino, immigrant, and under-resourced families in the San Francisco Bay Area.
Designers: Omar Mohammad, Habib Placencia Adissi. Programing: Omar Mohammad, Jacob Martinez. Special Thanks: Daniel Díaz.
Designers: Omar Mohammad, Habib Placencia Adissi. Programing: Omar Mohammad, Jacob Martinez. Special Thanks: Daniel Díaz.
Joe Coffee
Brand Identity, Logo Design, Packaging
2019
With close to twenty stores open in New York City, Joe Coffee was looking to mantain and scale its leadership position in the third-wave coffee landscape of New York City. A new brandmark, color palette, photo direction, and packaging system allowed the Joe Coffee team to reassert itself as a friendly yet knowledgable coffee roaster in New York City and beyond.
Creative Directors: Scott Dadich, Allie Fisher. Art Directors: Sean Wong, Habib Placencia Adissi, Chase McBride. Copywriters: Lauren Tyrell. Special Thanks: Tal Leming
Creative Directors: Scott Dadich, Allie Fisher. Art Directors: Sean Wong, Habib Placencia Adissi, Chase McBride. Copywriters: Lauren Tyrell. Special Thanks: Tal Leming